墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest.Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time.Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one.MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.

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该剧是一部充满紧张刺激的科幻电影，讲述了在宇宙之路危机四伏的情况下，年轻人第三次挺身而出，展开争分夺秒的生死之战。影片中的主人公们面临着重重困难和挑战，但他们始终没有放弃，坚定地寻找着新的家园。

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通过对年代香港社会背景的还原，影片展现了那个时代人们对财富和成功的追逐，以及由此带来的种种社会问题。紫醉金迷的生活谁都想要，但是清醒的有几个人呢，梁朝伟演技太棒了，尤其是中间赚大钱的那个笑容很到位，把那种资本家演得很有内涵，资本的世界不是谁都可以控制的，尤其是金主越来越多的时候，越轮不到小人物说话，还分分钟人间蒸发。梁朝伟和刘德华的强强联手！非常厉害??????值得推荐

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这部电影改编自罗尔德·达尔的经典童话该剧，讲述了糖果制造商威利·旺卡的家族故事。

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观影日记非常失望、非常后悔继开心麻花烂片系列（狸猫太子、杀手不冷静、独行月球、热血沸腾）之后，又多了一个省下电影票钱的理由。躲过了敢死队、躲过了巨齿鲨、躲过了速度激情，没躲过养蜂人…不过之前的人之怒还是挺好看的。开头十分钟出现了个毫无演技的配角，我就预感到这个片子不太行了，女主（？或者女主配）母亲自杀之后竟然毫无反应，像个木头一样，没有伤心没有难过。两个警探的台词太尬了，谁写的？Josh演技也平平无奇，一个浮夸的富二代，出场又是喝咖啡吃刺身又是按摩冥想，到底是公司还是